In connection with the exhibition Robert Overby, Works 1969 – 1987 Platform invites to a talk/guided tour through the exhibition.
Terry R. Myers has written for more than 35 international journals, including Art/Text, Arts Magazine, Flash Art, LA Weekly, Modern Painters, New Art Examiner, and Parkett. Currently he is a regular contributor to Afterall, Art Review and The Brooklyn Rail.
Myers has contributed essays to numerous exhibition catalogues and books including Sunshine & Noir: Art in LA 1960-1997, Peter Doig: blizzard seventy-seven, Vitamin P: New Perspectives in Painting, Rona Pondick: Works 1986-2008, Dexter Dalwood, The Indiscipline of Painting, and Christine Streuli. His books include Mary Heilmann: Save the Last Dance for Me (Afterall Books, 2007), and Painting: Documents of Contemporary Art (Whitechapel Gallery and The MIT Press, 2011).
Exhibitions that he has organized include There is A Light That Never Goes Out at Amy Lipton Gallery in New York; Kay Rosen: lifeli[k]e at the Museum of Contemporary Art and Otis Gallery in Los Angeles; Standing Still and Walking in Los Angeles at Gagosian Gallery in Beverly Hills; Robert Overby: Parallel, 1978-1969 at the Hammer Museum in Los Angeles; The Slide Area at James Van Damme Gallery in Brussels; A red letter day at Fredericks Freiser Gallery in New York; and Angles in America and Never Let Me Go, both at Rhona Hoffman Gallery in Chicago.
Myers has held teaching positions at Pratt Institute in New York, Otis College of Art and Design in Los Angeles, Art Center College of Design in Pasadena, and The Royal College of Art in London. Currently he is Professor and Chair of Painting and Drawing at The School of the Art Institute of Chicago.
Robert Overby, Works 1969 – 1987
Despite his prolific and diverse practice, Robert Overby (1935-1993) remains one of the best-kept secrets of Post-War American Art. Whilst rarely exhibiting during his lifetime, he nonetheless built up an extraordinary and multi-faceted body of work encompassing sculpture, installation, painting, photography, print and collage.
Overby was born in Harvey, Illinois. For most of his life he worked in Los Angeles, first as a successful graphic designer and subsequently as a visual artist. His most iconic early works, which he began in the late 1960s, take the form of architectural casts of doors, windows and facades made of rubber, latex and concrete; pieces that occupy a space between sculpture, painting, and installation. He was fascinated by the way in which objects hold and record the passing of time, as well as with the application and manipulation of various ‘surfaces’. Through his work, he would extend these ideas narratively and metaphorically, producing a sustained meditation on themes of time, space, memory, loss, beauty and decay.
By the mid-1970s painting had became increasingly central in his work as he began to explore the representation of the human body as a site where identity is transformed, theatrically expressed, or concealed – often employing references to pop culture, sexuality and consumerism. Different in scale and style, his painterly production encompasses both intimate and delicate figurative studies as well as bold and sometimes provocative post-pop and abstract compositions.
This exhibition, the largest on Overby organized in Europe to date, brings together works produced across his career in every medium. It demonstrates his growing influence on an increasing number of younger artists, highlighting that despite the multifarious, pluralistic and seemingly disparate nature of his production, one can trace an extraordinary coherence, consistency and depth. It is perhaps what makes his work appear so timely and contemporary to our eyes today. His was a deeply personal practice, restlessly engaged with a belief in art as an ongoing investigation of the human condition, captured in a constant state of flux.
Curated by Alessandro Rabottini, Curator at Large of the Galleria d’Arte Moderna e Contemporanea in Bergamo, with Martin Clark, Director of Bergen Kunsthall.
Robert Overby, Works 1969-1987 is a collaboration with CAC – Centre d’Art Contemporain, Geneve; GAMeC – Galleria d’Arte Moderna e Contemporanea, Bergamo, and Le Consortium, Dijon; organized with the collaboration of the Estate of Robert Overby, Los Angeles.
The exhibition will be accompanied by an extensive catalogue published by Mousse Publishing, including a complete chronology of the artist’s work and life as well as newly commissioned texts and contributions by Andrea Bellini, Martin Clark, Robin Clark, Alison Gingeras, Terry R. Myers and Alessandro Rabottini.