Knowing We Won’t Have Each Other Forever
AVLYST: TYGAPAW (Live)
21:00
Arrangementet er dessverre avlyst pga. sykdom
Neste arrangement ut i denne serien er:
Kommer Knowing We Won’t Have Each Other Forever:
Dykegeist
Eve Stainton (sound world by Mica Levi)
Lør 12. nov
Dykegeist is a choreographic work from Manchester-born London-based artist and performance maker Eve Stainton—with a live sound world conceived by musician Mica Levi. Dykegeist unravels and complicates the archetypal narratives assigned to the lesbian predator creature. During the current of the evening, aesthetics will shift between a supernatural gothic thriller, a 90’s sci-fi spider lair, a haunted Manchester club scene, an abstract and warping horror-scape, a social situation to discuss threat/the phobic/ consent/ otherness, choreography and suspended encounters, gateways gravel grunge, emptiness and charged-ness.
Kuratert av Nora-Swantje Almes.
Knowing We Won’t Have Each Other Forever benytter en glidende prisskala på billettene. Dersom du har spørsmål om billettsystemet vårt ta kontakt via bergen@kunsthall.no og merk eposten “TYGAPAW Billetter”. Gitt at du befinner deg i en vanskelig økonomisk situasjon ta kontakt på samme epostadresse for å høre om muligheten for gratisbilletter._
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Dion Mckenzie known as TYGAPAW, is a one-person army on a mission to highlight inclusivity and displacement through sound. TYGAPAW, is a Producer, DJ and Artist, originally from Mandeville, Jamaica, and based in Brooklyn, New York. A polymathic artist injecting their Jamaican heritage into techno, TYGAPAW operates at the intersections of their musical and cultural roots. They infuse the raw energy of dancehall with their signature emotional club sound. The self-taught producer founded monthly club nights Shottas, No Badmind and Fake Accent, creating platforms and spaces for QTIPOC. Their debut album GET FREE (2020) explores black joy, the active dismantling of imagined limitations, and the eradication of self doubt using techno landscapes.
Active in the visual arts, TYGAPAW’s work was presented at Creamcake Berlin and as part of the group show Dance Trans*Revolution at apexart gallery New York City. Live highlights include MoMA PS1, Boiler Room (Toronto, LA), Berghain, AFROPUNK, Toronto Pride, Moonshine (Montreal), Institute of Contemporary Art (Boston, Miami), alongside NYC institutions Webster Hall, Knockdown Center, Brooklyn Museum, Bossa Nova Civic Club, Elsewhere, Nowadays and more.
Knowing We Won’t Have Each Other Forever
TYGAPAW (Live) er en del av Bergen Kunsthalls nye live-programserie Knowing We Won’t Have Each Other Forever tar utgangspunkt i skeive virkeligheter og ideer om det flyktige. Sammen vil vi undersøke mulighetene for å lage alternative verdener og å tenke gjennom bevegelses- og live-praksiser. Denne kunstformens erfaringsmessige og mer opplevelsesbaserte karakter, dens flyktighet, åpner for nye samtidige perspektiver på interseksjonalitet.
Vi vil leke med temporaliteter, endre virkeligheter, og søke nye perspektiver i nåtid som middel for å komme nærmere, og å finne måter å utøve friheten på. Ideen om skeivhet er i stadig utvikling, et bevegelig mål det er vanskelig å sikte på. Å bevege seg, å danse og å miste balansen er måter å riste av seg merkelapper og utfordre forventninger og forutinntattheter i streite lineære narrativer, for å omforme den generelle forståelsen av hva som er mulig.
Kuratert av Nora-Swantje Almes.
Knowing We Won’t Have Each Other Forever benytter en glidende prisskala på billettene. Dersom du har spørsmål om billettsystemet vårt ta kontakt via bergen@kunsthall.no og merk eposten “TYGAPAW Billetter”. Gitt at du befinner deg i en vanskelig økonomisk situasjon ta kontakt på samme epostadresse for å høre om muligheten for gratisbilletter._
Kommer Knowing We Won’t Have Each Other Forever:
Dykegeist
Eve Stainton (sound world by Mica Levi)
Lør 12. nov
Dykegeist is a choreographic work from Manchester-born London-based artist and performance maker Eve Stainton—with a live sound world conceived by musician Mica Levi. Dykegeist unravels and complicates the archetypal narratives assigned to the lesbian predator creature. During the current of the evening, aesthetics will shift between a supernatural gothic thriller, a 90’s sci-fi spider lair, a haunted Manchester club scene, an abstract and warping horror-scape, a social situation to discuss threat/the phobic/ consent/ otherness, choreography and suspended encounters, gateways gravel grunge, emptiness and charged-ness.
