In February 2022, Ifrah Osman (she/her) joined the team at Bergen Kunsthall as a Live Programme Aspirant.
In February 2022, Ifrah Osman (she/her) joined the team at Bergen Kunsthall as a Live Programme Aspirant. Ifrah works with event production and is developing two conversations that are a part of the series titled “If we were thrown into the meltin’ pot, would we tie a true lovin’ knot?” which deals with the overwhelming use of the word “identity” in the work that artists create. Her position is part of the Aspirant scheme of the Cultural Council 2022-2023.
Ifrah has a bachelor’s degree in Peace and Conflict Studies from Oslo Nye Høgskolen, where she developed a competence to understand international relations and events. She has traveled to countries with ongoing conflicts for research, to understand what causes wars, and why it is difficult to create peace. It was this that paved her way as a cultural worker, where she soon found out that art and culture are one of the few factors that can have a positive influence on peacemaking.
Ifrah is interested in the relationship between people and art, and how to make art accessible to more people. She explores controversial topics through dialogue where the involvement of various groups is key. In addition to conversations, she wants to explore curatorial methods that build new relationships as a way to challenge structures in the established art world.
BKH is very proud to welcome Essia Hidoussi (she/her) as our first producer for Diversity and Inclusion!
BKH is very proud to welcome Essia Hidoussi (she/her) as our first producer for Diversity and Inclusion! It’s an incredibly important position for us and we’re so happy to be able to work with her. Essia’s work here will focus on the institutional structure and how it affects D&I in the workplace. She believes that the internal aspect has a significant impact on an institution’s external D&I work.
Essia is responsible on the developing of policies, procedures and guidelines which are an essential part for fostering a culture of equity and inclusion at Bergen Kunsthall. She will also initiate new artistic projects and get involved in various existing ones across the institution, finding together with her colleagues, different and specific measures for each department.
In addition, she is establishing vital institutional networks in order to expand and share information and experience with other organisations and institutions on a local, national and international scale. Recently she participated in Diversify Nordic Summit, a conference on Diversity, Equity, Inclusion and Belonging. In October, she will participate in EDI Global Forum for Education and integration where Accessibility, D&I, Art & Well Being and Institutional Structure will be in focus.
Essia began her career as a preschool teacher, but she was quickly drawn to the field of art and culture. She has been freelancing for the past 6 years as a producer, event manager and volunteer coordinator for several art and music festivals in Bergen. Paralell to her work, she was able to engage on a number of socially engaging art project. Last but not least, Essia enjoys volunteering, swimming, playing drums and tending to her cat and several plants.
Camille Norment is the Festival Exhibiton Artist 2023
25 May — 20 August 2023
Press opening: Tuesday 23 May 2023, 13:00
Bergen Kunsthall is proud to present Camille Norment as Festival Exhibition artist 2023.
Visual artist, composer and performer Camille Norment will produce the Festival Exhibition 2023 at Bergen Kunsthall. She is at home both in the world of exhibitions and music, exploring the spaces of sound and their relation to human bodies. Living in Norway since 2004, she represented Norway in the 56th Venice Art Biennale in 2015 with the large-scale project Rapture, presented in the famous pavilion designed by architect Sverre Fehn.
Norment’s works include recordings, self-made instruments, sculpture, drawing, performance, works for vocal ensembles as well as orchestras. Her multimedia installations explore socio-cultural and psychological phenomena through what she describes as cultural psychoacoustics, which is about how context, form, space and the viewer’s body interact in the formation of somatic and cognitive experiences.
The Festival Exhibition at Bergen Kunsthall will be Norment’s largest presentation in Norway to date. The exhibition will continue Norment’s long-standing interest in the relationship between sonic, architectural and material dimensions of sound and music. She will present an extensive composition with sound that will incorporate all four main gallery spaces of the Kunsthall in a single installation. The exhibition will make use of the active acoustics of the spaces – not meant initially for sound presentations – and explore the architecture as an instrument.
“We’re looking very much forward to this project with Camille Norment. She’s one of the internationally most acclaimed artists working in this extremely relevant field of sound research. Sound in her work becomes sensible in its complex relationship to social processes, as a means of communication and a physical factor of our environment. I am very excited to see and hear what she will develop for the beautiful and challenging galleries of Bergen Kunsthall!” (Axel Wieder, Director Bergen Kunsthall)
About the artist
Norment has master’s degrees in both visual arts and interactive telecommunications from New York University, and she attended the Whitney Independent Study Program in 1994–95. Her work has recently been shown in solo exhibitions at the Dia Art Foundation in New York (2022–23), one of the most important exhibition spaces for contemporary art in the world; the David Logan Center for the Arts, University of Chicago (2019); the Oslo Kunstforening (2017); and Temple Bar Gallery and Studios, Dublin (2017). Since her solo presentation in the Nordic Pavilion at the Venice Biennale 2015 she has participated in the Kochi-Muziris (2016), Montreal (2016), Lyon (2017), and Thailand (2018) biennials. She has produced several commisions for public spaces, amongst others for Henie Onstad Kunstsenter and the Norwegian Holocaust Center, both in Oslo.
Norment’s approach to composition includes improvisation methods from, among other things, jazz and folk music, as well as generative systems used in artificial intelligence and electronic music. Recently she has worked specifically with vocal ensembles and orchestration, which will result in a series of performances organised as part of the exhibition in Bergen. Norment is also known with the Camille Norment Trio, where she performs together with Vegar Vårdal and Håvard Skaset. The group is using amongst others electric guitar, glass harp and Harding fiddle. All of these instruments have at various points in history been considered so powerful that they have been banned. In this way, the performances can be understood as rituals that connect different sensibilities separated in time. She has recently performed at institutions including The Armory, New York (with Craig Taborn, 2022, 2016); Munchmuseet, Oslo (with Vokalensemblet Oslo 14, 2021); Renaissance Society, University of Chicago (with Hamid Drake, 2019); and Walker Art Center, Minneapolis (with Craig Taborn, 2019), and twice with Ryuichi Sakamoto (Sapporo Arts Festival 2017, The Stone, New York, 2018).
The Festival Exhibition
The Festival Exhibition is Bergen Kunsthall‘s flagship exhibition, established in 1953. Each Summer, we present a large scale exhibition with new work by a Norwegian artist, in connection with the Bergen International Festival (Festspillene i Bergen). The exhibition is considered the most important solo presentation for a Norwegian artist in their home country and creates a national debate about the state of the art, similarly to the Turner Prize in the UK. Recent Festival Exhibition artists include Gardar Eide Einarsson (2013), Ane Hjort Guttu (2015), Joar Nango (2020), Elisabeth Haarr (2021) and Lene Berg (2022).