Joar Nango
Post-Capitalist Architecture-TV #1

Still from Post-Capitalist Architecture-TV

Sat 23 May, 16:00, Part 1: On materiality and resource economy
Mon 25 May, 8:00, Part 2: On nomadism and flow
Tue 2 Jun, 21:00, Part 3: On decolonization and architecture

The episodes will premiere on and here
During the three episodes Nango will introduce us to his personal living and working environment, his collaborators, friends and the politics that make these spaces. Equipped with a mobile TV-studio in the back of his car, he travels through the northern landscape together with filmmaker Ken Are Bongo, meeting guests and visiting key architectural sites. Throughout the series, Nango will be accompanied by invited guests, discussing themes such as «neo-post materialism, the necessary pragmatics of decolonialization and the belief that objects are born objectified without the need for human animation assistance».

The TV series is conceived as a prologue to Joar Nango´s exhibition at Bergen Kunsthall, which will provide an insight into a decade of the artist´s oeuvre. Made especially for the online streaming format, the TV series will contain three new short films, conceptualized and written by Joar Nango and directed together with Sámi filmmaker Ken Are Bongo.

During the three episodes Nango will introduce us to his personal living and working environment in Sápmi as a way to discuss the politics that make these contested spaces. Equipped with a mobile TV studio in the back of his car and a snow mobile, Nango travels through the snow-covered landscape, meeting guests and visiting key architectural sites. The episodes will investigate, together with contributors from academic research or crafts and activist practice, how indigenous cultures relate to a broader discussions on space:

Joar Nango Post-Capitalist Architecture-TV #Part 1 av 3

Part 1: On materiality and resource economy
The first episode will look at the northern philosophy of self-sufficiency and what Nango calls indigenuity: an approach of resource economy and sustainability, working with on-site solutions, as part of indigenous and Sami improvisational competences. Nango will talk with curator Candice Hopkins (Carcross/Tagish First Nation, Canada), art-historian Elin Haugdal (The Arctic University of Norway, Tromsø) and artist Elin Már Øyen Vister about material philosophy in indigenous and local contexts and spatial productions.

Part 2: On nomadism and flow
Broadcasting from the Mercedes Sprinter he once drove from Tromsø to Athens as part of his participation in documenta 14, this is an episode on the road, looking at migration, relocation and the nomadic. The car will later play an important role in the work towards the exhibition and in the exhibition itself in Bergen. With anthropologist Dimitris Dalakoglou (VU University Amsterdam), archeologist on the contemporary Thora Petursdottir (University of Oslo), artist/lawyer Ande Somby from Tromsø, car-mechanic Lan Paulsen and artist, composer, filmmaker and producer Elle Márjá Eira.

Part 3: On decolonization and architecture
What are indigenous people? What is architecture? What is decolonization? Together with art historian Mathias Danbolt (University of Copenhagen) and architect Chris Cornelius (University of Wisconsin, Milwaukee), a member of the Oneida Nation of Wisconsin, Nango looks at the representation and visualization of Sami culture, architecture and life. An example is Knud Leem’s book «Beskrivelse over Finmarkens Lapper deres Tungemaal, Levemaade og forrige Afgudsdyrkelse» (1767), which features a series of illustrations based on earlier paintings, which Danbolt recently discovered in the Royal Library in Copenhagen, and which will feature in the exhibition in Bergen. With curator Heather Igloliorte, artist Elin Már Øyen Vister, museologist and Sami scholar and duojár Liisa-Ravna Finbog (University of Oslo), art historian Mathias Danbolt (University of Copenhagen) as well as Italian architect Alessandro Petti from DAAR (Decolonizing Architecture Art Residency).

By visiting situations, production environments and architectural sites, the series will address political and theoretical questions that are fundamental for Nango’s research on the role that architecture, as a framework for a way of living, has played in the complex narrative of the colonization of the North. Key issues for Nango in this context are whether today’s architects are instruments for prevailing political and economic power structures. Are there other ways to think about architecture? How can local knowledge be integrated into the process of the creation of places and situations, without becoming nostalgic decor?

Post-Capitalist Architecture TV will lead to Joar Nango’s Festival Exhibition in the fall. The exhibition will be Nango’s biggest to date and will use the whole of Bergen Kunsthall’s galleries with an integrated sculptural installation and architectural elements that activate the spaces socially. Nango will continue his exploration of Sami architectural history and traditional construction techniques to address wider issues of politics and space.

Joar Nango was born in Alta in 1979 and lives and works in Tromsø. Previous exhibitions of the artist include documenta 14 in Athens and Kassel 2017, the Art Encounters Biennial 2019 in Timișoara, Romania and the Chicago Architecture Biennial 2019. He is educated as an architect, and in his diverse practice he tackles issues such as indigenous identity and decolonialization, often based on observed contradictions in contemporary architecture. His artistic practice includes site-specific installation, sculpture, photography, architectonic structures, social projects, clothing, publications and theory, exploring the boundaries of design, architecture, philosophy and visual art. The works often explore the boundaries between design, architecture, philosophy and visual art.

You can read more on the exhibition itself here

Facts and figures
Post-Capitalist Architecture TV is produced by Bergen Kunsthall and Joar Nango as part of the official festival programme for the Bergen International Festival. The 2020 edition of the festival (20 May – 3 June) could not held as planned and will take place in an alternative online form.

The TV-series will also be available to stream online after the premiering dates on Vimeo, and

Director: Joar Nango (co-director Ken Are Bongo)
Photographer: Ken Are Bongo
Handling and scenography: Håvard Arnhoff
Additional photography: Matti Aikio
Sound: Anders Ánndaris Rimpi
Produced by Bergen Kunsthall and Joar Nango

The Festival Exhibition 2020 and Post-Capitalist Architecture TV is supported by Arts Council Norway, The Sami Parliament, International Sami Film Institute, Bergesenstiftelsen, H. Westfal-Larsen og Hustru Anna Westfal-Larsen’s Almennyttige Fond, Norske Kunstforeninger.

Bergen Kunsthall is supported by Norwegian Ministry of Culture, City of Bergen, Vestland County, Fritt Ord Foundation.

Established in 1953, each Summer, Bergen Kunsthall presents a large-scale exhibition with new work by a Norwegian artist, in connection with the Bergen International Festival. The exhibition is considered the most important solo presentation for Norwegian artists in their home country and creates a national debate about the state of the art, similarly to the Turner Prize in the UK.

Recent Festival Artists at Bergen Kunsthall include Marianne Heske (1993), Olav Christopher Jenssen (2000), Bjarne Melgaard (2003), AK Dolven (2004), Elmgreen & Dragset (2005), Børre Sæthre (2007), Marianne Heier (2012), Gardar Eide Einarsson (2013), Fredrik Vaerslev (2016), Ane Hjort Guttu (2015), Mari Slaattelid (2019) and Joar Nango (2020) among others.

Bergen Kunsthall´s Festival Exhibition starts this year with the format of a TV series by Sámi architect and artist Joar Nango on “architecture after the fall of capitalism”. The series has been made in response to the global Covid-19 pandemic. Nango’s Festival Exhibition at Bergen Kunsthall was supposed to open on 21 May, but has been moved to the fall, 4 September – 8 November 2020. Each episode of the TV series will introduce key themes that will be further developed in his exhibition, and open Nango’s working process during the ongoing pandemic to the public, leading up to the exhibition in Bergen.